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Characters say exactly what they feel or plot need. Often feels flat.
Characters say exactly what they feel or plot need. Often feels flat. Dialogue craft lives in subtext, rhythm, and idiolect, not only in clever lines.
As a technique, it is a deliberate move. Judge it by effect in context, not by blanket ban.
In revision, ask whether the move earns its place in this scene. Techniques work when they change reader understanding or feeling.
Why it matters
On-the-nose dialogue targets how speech and voice work. Common flat-dialogue fixes start with naming the problem.
Common pitfalls
Instead of naming the move, dramatize it: show the choice that makes on-the-nose dialogue visible on the page.